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Film Reviews
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Unpacking Matka King
Baring Kabir Suman’s Soul – A Review of Bare Voice
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Riverine Stories: Titas and Ritwik Ghatak’s Cinematic Departure
Le Havre: A 21st Century Shomin-geki from Aki Kaurismaki
Nocebo Review: An Entrancing Psychological Thriller With Creepy Elements
Reel Reviews: The Boy in the Striped Pajamas & Father and Daughter
Rolling Thunder Revue (2019)
Silhouette Recommends – The Headless Woman
Silhouette Recommends – Ostrov (The Island)
Silhouette Recommends – Saraband
Silhouette Recommends – Abel (Voyeur)
The Most Anticipated Bollywood Movies of 2023
Desi Web Heads, Spider-Man India is Finally Here!
The World of Javed Akhtar: 124 Rare Exhibits to Celebrate the Legend’s 75th Year
Kolkata Cocktail: Three Women’s Journeys through the Poetic Vision of Kolkata
Retrospective
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Haunted, Seduced and Uncertain – the Cinema of Anik Dutta
IFFD 2026: A Celebration of Cinema, Culture, and Contrasts
New Theatres and B N Sircar
When Geetmala Ruled Hindi Film Music
Akira Toriyama – How the Super Saiyan of Manga and Anime Paved the Way
Of Film Festivals and Jury Duty
A Memory for the Present
Lasting Music Pieces in Films
Satyajit, Ritwik – and the Renegade ‘Father’ Figure
Meeting Ray: The Nawab of Sight and Sound
My Journey with Feluda
Dancing with Ray… An Unparalleled Celluloid Experience
No Cloud-capped Star, Ritwik
Anger in his voice, authority in his words. Name: Ritwik
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
Mahaprithibi: Mrinal Sen’s Ultimate Realization about Art, Politics and Society
How Suhas Met Mr Bhuvan Shome
Mrinal Sen’s Matira Manisha – Family at the Crossroads
‘He Only Wanted to Make Films About People He Had Direct Contact With’: Kunal Sen Remembers His Father Mrinal Sen
The Moulding of a Master: Bimal Roy and Tapan Sinha
Tapan Sinha: The Humanist Filmmaker
A Shout Out for an Unclaimed Beloved
Sagina Mahato: The Bitter Brew of Labour Struggles
Mera Naam Raaju, Gharana Anaam
Raj Kapoor and the Male Gaze
Early Films, and Raj Kapoor’s Best—with Nargis
Sangam – Of Choices and Consequences
Murmurs: Moments with Soumitra Chatterjee (Episode 8)
Murmurs: Moments with Soumitra Chatterjee (Episode 7)
Murmurs: Moments with Soumitra Chatterjee (Episode 6)
Murmurs: Moments with Soumitra Chatterjee (Episode 5)
Critique
Critique on Films
Book Review
Critique on Films
Book Review
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
A Shout Out for an Unclaimed Beloved
Tapan Sinha and Feature Film Management
Baazi – ‘Thank You, Guru Dutt!’ Book Excerpt
Mera Naam Raaju, Gharana Anaam
Early Films, and Raj Kapoor’s Best—with Nargis
Welcomed with Arrows
Interviews
Indian Film Personalities
International Film Personalities
Indian Film Personalities
International Film Personalities
‘Swimming Against the Tide’: In Conversation with ‘Aahana’ Director Promita Bhowmik
‘My heart swells with pride when I see their work’: Nabendu Ghosh in conversation with Ameen Sayani
Soulfully Yours, Ravi: In Conversation with Manek Premchand
Reimagining India’s Cultural Tapestry: In Conversation with Neville Tuli
‘Soumitra Became Ray’s Voice’ – Interview with Catherine Berge, Director of ‘Gaach’
The Grain is Always Moving – Eduardo Nunes
Timeless Artists Of The World: Liv And Ingmar
‘Putting Together My Passion For India And For Cinema’: Selvaggia Velo On River To River Florence Indian Film Festival
Music
Music Makers
Golden Voices
The Song Story
Rafi@100
Salil Chowdhury@100
The Song Story
Salil Chowdhury@100
Rafi@100
Music Makers
Golden Voices
Khuda Nigehban Ho Tumhara: An Unforgettable Farewell
Kuchh Dil Ne Kaha – A Whisper of Simplicity in a Haunting Tune
Koi Chupke Se Aake: The Unspoken Melody of the Past
Waqt Ne Kiya – A Song That Encapsulates a Tragedy
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Hemant-Salil Songs: The Gamechangers
A Day with Mohammed Rafi
An Ode to Mohammed Rafi
The A-Z of Rafi
Dil Ka Bhanwar Kare Pukaar — A Sizzling Potpourri of Fun and Romance
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Soulfully Yours, Ravi: In Conversation with Manek Premchand
The ‘Guest Voices’ in Hindi Film Music
Asha Bhosle: From Shadow to Spectrum
Asha Bhosle: The Many Moods of a Matchless Voice
Kanan Devi: ‘The First Singing Star’
Archive
Volume 6
Volume 8
Volume 6
Volume 7
‘Illuminating Ray’ A Critique on Gaston Roberge’s Satyajit Ray: Essays (1970-2005)
Abderrahmane Sissako’s La Vie Sur Terra (Life is on Earth): Prompting Us to Re-think “Displacement”
Three Movies of the Digital Age
From the Director to the Protagonist: Displacement in the Cinema of Peter Weir
Chunhyang: An Artistic Splendor
Jamal Lacks it: Game Show Politics and Rise of Individual in Slumdog Millionaire
Cinema & Sexuality: On the Death of the Desiring Woman
Taking Over: Notes on the Host
About
About Us
Our Authors
What They Say
Write for Silhouette
Contact Us
Learning and Creativity
X
Film Reviews
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Unpacking Matka King
Baring Kabir Suman’s Soul – A Review of Bare Voice
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Riverine Stories: Titas and Ritwik Ghatak’s Cinematic Departure
Le Havre: A 21st Century Shomin-geki from Aki Kaurismaki
Nocebo Review: An Entrancing Psychological Thriller With Creepy Elements
Reel Reviews: The Boy in the Striped Pajamas & Father and Daughter
Rolling Thunder Revue (2019)
Silhouette Recommends – The Headless Woman
Silhouette Recommends – Ostrov (The Island)
Silhouette Recommends – Saraband
Silhouette Recommends – Abel (Voyeur)
The Most Anticipated Bollywood Movies of 2023
Desi Web Heads, Spider-Man India is Finally Here!
The World of Javed Akhtar: 124 Rare Exhibits to Celebrate the Legend’s 75th Year
Kolkata Cocktail: Three Women’s Journeys through the Poetic Vision of Kolkata
Retrospective
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Haunted, Seduced and Uncertain – the Cinema of Anik Dutta
IFFD 2026: A Celebration of Cinema, Culture, and Contrasts
New Theatres and B N Sircar
When Geetmala Ruled Hindi Film Music
Akira Toriyama – How the Super Saiyan of Manga and Anime Paved the Way
Of Film Festivals and Jury Duty
A Memory for the Present
Lasting Music Pieces in Films
Satyajit, Ritwik – and the Renegade ‘Father’ Figure
Meeting Ray: The Nawab of Sight and Sound
My Journey with Feluda
Dancing with Ray… An Unparalleled Celluloid Experience
No Cloud-capped Star, Ritwik
Anger in his voice, authority in his words. Name: Ritwik
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
Mahaprithibi: Mrinal Sen’s Ultimate Realization about Art, Politics and Society
How Suhas Met Mr Bhuvan Shome
Mrinal Sen’s Matira Manisha – Family at the Crossroads
‘He Only Wanted to Make Films About People He Had Direct Contact With’: Kunal Sen Remembers His Father Mrinal Sen
The Moulding of a Master: Bimal Roy and Tapan Sinha
Tapan Sinha: The Humanist Filmmaker
A Shout Out for an Unclaimed Beloved
Sagina Mahato: The Bitter Brew of Labour Struggles
Mera Naam Raaju, Gharana Anaam
Raj Kapoor and the Male Gaze
Early Films, and Raj Kapoor’s Best—with Nargis
Sangam – Of Choices and Consequences
Murmurs: Moments with Soumitra Chatterjee (Episode 8)
Murmurs: Moments with Soumitra Chatterjee (Episode 7)
Murmurs: Moments with Soumitra Chatterjee (Episode 6)
Murmurs: Moments with Soumitra Chatterjee (Episode 5)
Critique
Critique on Films
Book Review
Critique on Films
Book Review
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
A Shout Out for an Unclaimed Beloved
Tapan Sinha and Feature Film Management
Baazi – ‘Thank You, Guru Dutt!’ Book Excerpt
Mera Naam Raaju, Gharana Anaam
Early Films, and Raj Kapoor’s Best—with Nargis
Welcomed with Arrows
Interviews
Indian Film Personalities
International Film Personalities
Indian Film Personalities
International Film Personalities
‘Swimming Against the Tide’: In Conversation with ‘Aahana’ Director Promita Bhowmik
‘My heart swells with pride when I see their work’: Nabendu Ghosh in conversation with Ameen Sayani
Soulfully Yours, Ravi: In Conversation with Manek Premchand
Reimagining India’s Cultural Tapestry: In Conversation with Neville Tuli
‘Soumitra Became Ray’s Voice’ – Interview with Catherine Berge, Director of ‘Gaach’
The Grain is Always Moving – Eduardo Nunes
Timeless Artists Of The World: Liv And Ingmar
‘Putting Together My Passion For India And For Cinema’: Selvaggia Velo On River To River Florence Indian Film Festival
Music
Music Makers
Golden Voices
The Song Story
Rafi@100
Salil Chowdhury@100
The Song Story
Salil Chowdhury@100
Rafi@100
Music Makers
Golden Voices
Khuda Nigehban Ho Tumhara: An Unforgettable Farewell
Kuchh Dil Ne Kaha – A Whisper of Simplicity in a Haunting Tune
Koi Chupke Se Aake: The Unspoken Melody of the Past
Waqt Ne Kiya – A Song That Encapsulates a Tragedy
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Hemant-Salil Songs: The Gamechangers
A Day with Mohammed Rafi
An Ode to Mohammed Rafi
The A-Z of Rafi
Dil Ka Bhanwar Kare Pukaar — A Sizzling Potpourri of Fun and Romance
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Soulfully Yours, Ravi: In Conversation with Manek Premchand
The ‘Guest Voices’ in Hindi Film Music
Asha Bhosle: From Shadow to Spectrum
Asha Bhosle: The Many Moods of a Matchless Voice
Kanan Devi: ‘The First Singing Star’
Archive
Volume 6
Volume 8
Volume 6
Volume 7
‘Illuminating Ray’ A Critique on Gaston Roberge’s Satyajit Ray: Essays (1970-2005)
Abderrahmane Sissako’s La Vie Sur Terra (Life is on Earth): Prompting Us to Re-think “Displacement”
Three Movies of the Digital Age
From the Director to the Protagonist: Displacement in the Cinema of Peter Weir
Chunhyang: An Artistic Splendor
Jamal Lacks it: Game Show Politics and Rise of Individual in Slumdog Millionaire
Cinema & Sexuality: On the Death of the Desiring Woman
Taking Over: Notes on the Host
About
About Us
Our Authors
What They Say
Write for Silhouette
Contact Us
Learning and Creativity
X
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Featured Story
Le Havre: A 21st Century Shomin-geki from Aki Kaurismaki
Aki Kaurismäki’s films, marked by minimalistic aesthetics and poignant political commentary, highlight working-class struggles. Dipyaman Ganguly explores Kaurismäki’s blend of visual storytelling and social critique in
Le Havre
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Latest in International Film Reviews
Le Havre: A 21st Century Shomin-geki from Aki Kaurismaki
Dipyaman Ganguly explores Aki Kaurismäki's minimalistic aesthetics and poignant political commentary on working-class struggles in the film Le Havre.
Nocebo Review: An Entrancing Psychological Thriller With Creepy Elements
Prasanna P explores how Nocebo (2022) stands out from the usual horror films and emerges as a perfect example of how the rich crush the work of poor people.
Reel Reviews: The Boy in the Striped Pajamas & Father and Daughter
Silhouette presents two reel reviews by the students of Garden High Film Club, exploring the films The Boy in the Striped Pajamas and Father & Daughter.
Rolling Thunder Revue (2019)
Currently streaming on Netflix, the documentary Rolling Thunder Revue (2019) is Martin Scorsese’s postfactual take on Bob Dylan and his 1976 tour of US and Canada.
A Review of The Gospel According to St. Matthew and Francis of Assisi
A comparative and contrasting study of the lives of Jesus and St Francis treated in two films as history and art by Dr Ampat Koshy.
25th KIFF – An Event to Remember
Mayurakshee Gangopadhyay, the moderator of most of the press conferences of the 25th KIFF writes about the festival highlights.
Bernardo Bertolucci’s Dream
The Dreamers by Bernardo Bertolucci is an interesting film set against the backdrop of the 1968 Paris student revolution. Amitava Nag takes a look.
A Tale of Two Schools
Marching Forward: Music inspires two marching band directors to cross color lines and give their students the opportunity of a lifetime.
Avengers: Endgame Speculation – X-Men to Play a Vital Role in Battle against Thanos?
As the battle with Thanos reaches its final conclusion, will the Avengers be joined by another iconic Marvel superhero team to defeat the mighty titan?
Taika Waititi’s Boy: Exploring Masculinity from an Indigenous Perspective
Taika Waititi’s comedy-drama Boy (2010) explores the complexity of familial dysfunction and hero worship through a Māori (indigenous people of New Zealand) perspective.
Silhouette Recommends – Abel (Voyeur)
Silhouette recommends Alex van Warmerdam’s Abel (Voyeur) an extremely weird comedy from Netherlands mocking the modern middle class family values.
Silhouette Recommends – Heremakono (Waiting for Happiness)
The Mauritanian film Heremakono is replete with visual charm, a smooth, slow narrative sailing and brilliant, unobtrusive collage of an African village.
Silhouette Recommends – Amerika Square
Silhouette members discussed and debated Greek film Amerika Square. Through a poignant collage of parallel subplots of individuals, the film deals with rootlessness and wandering.
Silhouette Recommends – Milk (Sut)
Semih Kaplanoglu’s Milk (Sut) is the second film in a trilogy (Egg, Milk, Honey) which were produced in reverse chronological order. Silhouette recommends Milk.
Silhouette Recommends – Paterson
Silhouette members recommend Jim Jarmusch’s Paterson. The film deals with the details of a mundane life and yet how art emanates from it.
Force Majeure 2014 – Many Shades of a Social Animal
Ruben Ostlund's masterful and prize-winning Force Majeure 2014 depicts the moral crises of human beings when confronted by a natural calamity. A Review
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