Aparajita Sengupta has a PhD in English Literature from the University of Kentucky. She worked on postcolonial elements in Indian Cinema. She taught postgraduate college in India for some time, and is now a full-time organic farmer.

My creations

Christopher Nolan’s Inception: The National Unconscious of America

Inception is a projection of the collective American fear of a crumbling economy more than it is an experimental project of dreams in the style of 1950s psychoanalysis.

Displaced Nationalism: Popular Indian Film’s Disconnect with the Nation

In trying to demonstrate how the nationalist zeal declined post independence, these films re-evoke the patriotic ideals of nation building, because that is a viable location of pride in the nation, and possibly more attractive to liberal educated classes of Indians than the rhetoric of warfare.