Baidurya Chakrabarti is a student of English, and an avid cinephile. He is a French New Wave fanatic; he swears by Woody Allen, and has an ongoing, tempestuous relationship with Bela Tarr.
For quite a long time now, cinema critics have been paying homage to him in different ways; here, in this essay, we will try to identify the ‘architecture’, the ‘technology’ of a specific image-unit he contributed to the craft of film-making.
