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International Film Reviews
Silhouette Recommends
Curtain Raisers
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Unpacking Matka King
Baring Kabir Suman’s Soul – A Review of Bare Voice
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Riverine Stories: Titas and Ritwik Ghatak’s Cinematic Departure
Le Havre: A 21st Century Shomin-geki from Aki Kaurismaki
Nocebo Review: An Entrancing Psychological Thriller With Creepy Elements
Reel Reviews: The Boy in the Striped Pajamas & Father and Daughter
Rolling Thunder Revue (2019)
Silhouette Recommends – The Headless Woman
Silhouette Recommends – Ostrov (The Island)
Silhouette Recommends – Saraband
Silhouette Recommends – Abel (Voyeur)
The Most Anticipated Bollywood Movies of 2023
Desi Web Heads, Spider-Man India is Finally Here!
The World of Javed Akhtar: 124 Rare Exhibits to Celebrate the Legend’s 75th Year
Kolkata Cocktail: Three Women’s Journeys through the Poetic Vision of Kolkata
Retrospective
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Haunted, Seduced and Uncertain – the Cinema of Anik Dutta
IFFD 2026: A Celebration of Cinema, Culture, and Contrasts
New Theatres and B N Sircar
When Geetmala Ruled Hindi Film Music
Akira Toriyama – How the Super Saiyan of Manga and Anime Paved the Way
Of Film Festivals and Jury Duty
A Memory for the Present
Lasting Music Pieces in Films
Satyajit, Ritwik – and the Renegade ‘Father’ Figure
Meeting Ray: The Nawab of Sight and Sound
My Journey with Feluda
Dancing with Ray… An Unparalleled Celluloid Experience
No Cloud-capped Star, Ritwik
Anger in his voice, authority in his words. Name: Ritwik
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
Mahaprithibi: Mrinal Sen’s Ultimate Realization about Art, Politics and Society
How Suhas Met Mr Bhuvan Shome
Mrinal Sen’s Matira Manisha – Family at the Crossroads
‘He Only Wanted to Make Films About People He Had Direct Contact With’: Kunal Sen Remembers His Father Mrinal Sen
The Moulding of a Master: Bimal Roy and Tapan Sinha
Tapan Sinha: The Humanist Filmmaker
A Shout Out for an Unclaimed Beloved
Sagina Mahato: The Bitter Brew of Labour Struggles
Mera Naam Raaju, Gharana Anaam
Raj Kapoor and the Male Gaze
Early Films, and Raj Kapoor’s Best—with Nargis
Sangam – Of Choices and Consequences
Murmurs: Moments with Soumitra Chatterjee (Episode 8)
Murmurs: Moments with Soumitra Chatterjee (Episode 7)
Murmurs: Moments with Soumitra Chatterjee (Episode 6)
Murmurs: Moments with Soumitra Chatterjee (Episode 5)
Critique
Critique on Films
Book Review
Critique on Films
Book Review
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
A Shout Out for an Unclaimed Beloved
Tapan Sinha and Feature Film Management
Baazi – ‘Thank You, Guru Dutt!’ Book Excerpt
Mera Naam Raaju, Gharana Anaam
Early Films, and Raj Kapoor’s Best—with Nargis
Welcomed with Arrows
Interviews
Indian Film Personalities
International Film Personalities
Indian Film Personalities
International Film Personalities
‘Swimming Against the Tide’: In Conversation with ‘Aahana’ Director Promita Bhowmik
‘My heart swells with pride when I see their work’: Nabendu Ghosh in conversation with Ameen Sayani
Soulfully Yours, Ravi: In Conversation with Manek Premchand
Reimagining India’s Cultural Tapestry: In Conversation with Neville Tuli
‘Soumitra Became Ray’s Voice’ – Interview with Catherine Berge, Director of ‘Gaach’
The Grain is Always Moving – Eduardo Nunes
Timeless Artists Of The World: Liv And Ingmar
‘Putting Together My Passion For India And For Cinema’: Selvaggia Velo On River To River Florence Indian Film Festival
Music
Music Makers
Golden Voices
The Song Story
Rafi@100
Salil Chowdhury@100
The Song Story
Salil Chowdhury@100
Rafi@100
Music Makers
Golden Voices
Khuda Nigehban Ho Tumhara: An Unforgettable Farewell
Kuchh Dil Ne Kaha – A Whisper of Simplicity in a Haunting Tune
Koi Chupke Se Aake: The Unspoken Melody of the Past
Waqt Ne Kiya – A Song That Encapsulates a Tragedy
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Hemant-Salil Songs: The Gamechangers
A Day with Mohammed Rafi
An Ode to Mohammed Rafi
The A-Z of Rafi
Dil Ka Bhanwar Kare Pukaar — A Sizzling Potpourri of Fun and Romance
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Soulfully Yours, Ravi: In Conversation with Manek Premchand
The ‘Guest Voices’ in Hindi Film Music
Asha Bhosle: From Shadow to Spectrum
Asha Bhosle: The Many Moods of a Matchless Voice
Kanan Devi: ‘The First Singing Star’
Archive
Volume 6
Volume 8
Volume 6
Volume 7
‘Illuminating Ray’ A Critique on Gaston Roberge’s Satyajit Ray: Essays (1970-2005)
Abderrahmane Sissako’s La Vie Sur Terra (Life is on Earth): Prompting Us to Re-think “Displacement”
Three Movies of the Digital Age
From the Director to the Protagonist: Displacement in the Cinema of Peter Weir
Chunhyang: An Artistic Splendor
Jamal Lacks it: Game Show Politics and Rise of Individual in Slumdog Millionaire
Cinema & Sexuality: On the Death of the Desiring Woman
Taking Over: Notes on the Host
About
About Us
Our Authors
What They Say
Write for Silhouette
Contact Us
Learning and Creativity
X
Film Reviews
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Indian Film Reviews
International Film Reviews
Silhouette Recommends
Curtain Raisers
Unpacking Matka King
Baring Kabir Suman’s Soul – A Review of Bare Voice
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Riverine Stories: Titas and Ritwik Ghatak’s Cinematic Departure
Le Havre: A 21st Century Shomin-geki from Aki Kaurismaki
Nocebo Review: An Entrancing Psychological Thriller With Creepy Elements
Reel Reviews: The Boy in the Striped Pajamas & Father and Daughter
Rolling Thunder Revue (2019)
Silhouette Recommends – The Headless Woman
Silhouette Recommends – Ostrov (The Island)
Silhouette Recommends – Saraband
Silhouette Recommends – Abel (Voyeur)
The Most Anticipated Bollywood Movies of 2023
Desi Web Heads, Spider-Man India is Finally Here!
The World of Javed Akhtar: 124 Rare Exhibits to Celebrate the Legend’s 75th Year
Kolkata Cocktail: Three Women’s Journeys through the Poetic Vision of Kolkata
Retrospective
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Indian Cinema
International Cinema
Ray@100
Ritwik Ghatak@100
Mrinal Sen@100
Tapan Sinha@100
Raj Kapoor@100
Murmurs: Moments with Soumitra Chatterjee
Haunted, Seduced and Uncertain – the Cinema of Anik Dutta
IFFD 2026: A Celebration of Cinema, Culture, and Contrasts
New Theatres and B N Sircar
When Geetmala Ruled Hindi Film Music
Akira Toriyama – How the Super Saiyan of Manga and Anime Paved the Way
Of Film Festivals and Jury Duty
A Memory for the Present
Lasting Music Pieces in Films
Satyajit, Ritwik – and the Renegade ‘Father’ Figure
Meeting Ray: The Nawab of Sight and Sound
My Journey with Feluda
Dancing with Ray… An Unparalleled Celluloid Experience
No Cloud-capped Star, Ritwik
Anger in his voice, authority in his words. Name: Ritwik
Something Like an Autobiography: A Critical Reading of Komal Gandhar
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
Mahaprithibi: Mrinal Sen’s Ultimate Realization about Art, Politics and Society
How Suhas Met Mr Bhuvan Shome
Mrinal Sen’s Matira Manisha – Family at the Crossroads
‘He Only Wanted to Make Films About People He Had Direct Contact With’: Kunal Sen Remembers His Father Mrinal Sen
The Moulding of a Master: Bimal Roy and Tapan Sinha
Tapan Sinha: The Humanist Filmmaker
A Shout Out for an Unclaimed Beloved
Sagina Mahato: The Bitter Brew of Labour Struggles
Mera Naam Raaju, Gharana Anaam
Raj Kapoor and the Male Gaze
Early Films, and Raj Kapoor’s Best—with Nargis
Sangam – Of Choices and Consequences
Murmurs: Moments with Soumitra Chatterjee (Episode 8)
Murmurs: Moments with Soumitra Chatterjee (Episode 7)
Murmurs: Moments with Soumitra Chatterjee (Episode 6)
Murmurs: Moments with Soumitra Chatterjee (Episode 5)
Critique
Critique on Films
Book Review
Critique on Films
Book Review
Landscape of Exile: Individual and Cultural Alienation in Ritwik Ghatak’s Films
The Aesthetics of Fractured Dislocation in Ritwik Ghatak’s Cinema
A Shout Out for an Unclaimed Beloved
Tapan Sinha and Feature Film Management
Baazi – ‘Thank You, Guru Dutt!’ Book Excerpt
Mera Naam Raaju, Gharana Anaam
Early Films, and Raj Kapoor’s Best—with Nargis
Welcomed with Arrows
Interviews
Indian Film Personalities
International Film Personalities
Indian Film Personalities
International Film Personalities
‘Swimming Against the Tide’: In Conversation with ‘Aahana’ Director Promita Bhowmik
‘My heart swells with pride when I see their work’: Nabendu Ghosh in conversation with Ameen Sayani
Soulfully Yours, Ravi: In Conversation with Manek Premchand
Reimagining India’s Cultural Tapestry: In Conversation with Neville Tuli
‘Soumitra Became Ray’s Voice’ – Interview with Catherine Berge, Director of ‘Gaach’
The Grain is Always Moving – Eduardo Nunes
Timeless Artists Of The World: Liv And Ingmar
‘Putting Together My Passion For India And For Cinema’: Selvaggia Velo On River To River Florence Indian Film Festival
Music
Music Makers
Golden Voices
The Song Story
Rafi@100
Salil Chowdhury@100
The Song Story
Salil Chowdhury@100
Rafi@100
Music Makers
Golden Voices
Khuda Nigehban Ho Tumhara: An Unforgettable Farewell
Kuchh Dil Ne Kaha – A Whisper of Simplicity in a Haunting Tune
Koi Chupke Se Aake: The Unspoken Melody of the Past
Waqt Ne Kiya – A Song That Encapsulates a Tragedy
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Hemant-Salil Songs: The Gamechangers
A Day with Mohammed Rafi
An Ode to Mohammed Rafi
The A-Z of Rafi
Dil Ka Bhanwar Kare Pukaar — A Sizzling Potpourri of Fun and Romance
Salil Chowdhury: Creating Music ‘Outside the Rules’
Madhumati: Salil Chowdhury’s Magnum Opus in Hindi Cinema
Salil Sangeet: How Salil Chowdhury’s Bengali Songs Reimagined Genre, Social Awareness and Humanism
Soulfully Yours, Ravi: In Conversation with Manek Premchand
The ‘Guest Voices’ in Hindi Film Music
Asha Bhosle: From Shadow to Spectrum
Asha Bhosle: The Many Moods of a Matchless Voice
Kanan Devi: ‘The First Singing Star’
Archive
Volume 6
Volume 8
Volume 6
Volume 7
‘Illuminating Ray’ A Critique on Gaston Roberge’s Satyajit Ray: Essays (1970-2005)
Abderrahmane Sissako’s La Vie Sur Terra (Life is on Earth): Prompting Us to Re-think “Displacement”
Three Movies of the Digital Age
From the Director to the Protagonist: Displacement in the Cinema of Peter Weir
Chunhyang: An Artistic Splendor
Jamal Lacks it: Game Show Politics and Rise of Individual in Slumdog Millionaire
Cinema & Sexuality: On the Death of the Desiring Woman
Taking Over: Notes on the Host
About
About Us
Our Authors
What They Say
Write for Silhouette
Contact Us
Learning and Creativity
X
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Volume 9
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Featured Story
The Emergence Of SFX (Special Effects) In Movies
Often several different techniques are used together in a single scene or shot to achieve the desired effect. Let’s have a look what is SFX all about.
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Latest in Volume 9
The Emergence Of SFX (Special Effects) In Movies
Often several different techniques are used together in a single scene or shot to achieve the desired effect. Let’s have a look what is SFX all about.
Chinese Cinema: Then and After
The phenomenal burgeoning of Chinese Cinema particularly in the last two decades has been a cause of intrigue amongst the cinephiles.
Theo Angelopoulos And Greece
Theo Angelopoulos ushers in his films a different Greece, a different humanity. A critique on Theo Angelopoulos' Ulysses' Gaze and other films.
Obscure Surrealist Classic – Un Soir Un Train
The subtlety of the narration, the use of multi-layered metaphors and beautiful intertwining of dreams and reality add to the ambiguity in Un Soir Un Train.
What Is Acting
Michael Chekhov, a great Russian actor, teacher, director, seemed to have an interesting approach to these challenges and emphasized the art in acting.
Films in Transition, Generations in Flux: China on the Move
Chinese films have a long history. The trajectory of Chinese films can be best understood with its intimacy with the political happenings of that region.
The Need For A Visual Syntax
Directors need to come up with a visual syntax which will properly translate the written word into relevant, significant and memorable imagery on the screen.
Austen vs. Rozema: Slavery In Mansfield Park 1999
Unlike the novel, slavery is a dominating presence in the film Mansfield Park (1999), a presence that resonates throughout the text.
From Kolkata to Dublin via Kabul: Tagore’s Internationalism And Cinema
Kabuliwala by Tagore:
Cinematic Adaptations Of Rabindranath
Since Tagore’s works are universal, they offer filmmakers a challenge to make the film as powerful, credible and appealing on celluloid as it is in print.
Editorial of Special issue on Rabindranath Tagore
Rabindranath Thakur, the doyen of Indian culture and the first and only Nobel Laureate in Literature from India is our topic for the third issue of Vol IX.
Tagore’s Noukadubi And Rituparno’s Inspiration: Interrogating Marriage And Home
Rituparno Ghosh's Noukadubi's real power lies in its ability to serve contemporary cinematic purposes where characters are modernized, articulate, credible.
Narrative Of Tagore’s Songs Used In Tarun Majumdar’s Alo (2003)
As is the acknowledged hallmark of Majumdar’s films, Alo (Light) uses Rabindranath Tagore’s songs extensively.
Space Sound Color: Giving Life To An Art Film
Since its nascent beginnings, the so-called art film has maintained this basic manifesto while dovetailing into its various faces.
Co-Existence Of Parallel Cinema With Popular Cinema In Bengal In The 50s And 60s
Cinema in Bengal has taken many interesting twist and turns. Since the days of "bioscope" in the 1890s, Bengali cinema has followed a rather zigzag pattern.
Images And Imagery: A Poet’s Engagement With Moving Images
Sometimes Rabindranath Tagore made improvements on the scenario and the dialogues. But he did not suggest radically alternative treatments to the films
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