Silhouette Magazine

All Critique Film Reviews Interviews Music Print Editions Retrospective Silhouette Magazine Volume 10 Volume 9

New Theatres and B N Sircar

Shoma A Chatterji traces the life and vision of B N Sircar, founder of New Theatres, whose pioneering studio shaped Indian cinema through technical innovation, literary storytelling, and legendary filmmakers.

Latest in Silhouette Magazine

New Theatres and B N Sircar

Shoma A Chatterji traces the life and vision of B N Sircar, founder of New Theatres, whose pioneering studio shaped Indian cinema.

Manik Babur Megh: Shibu, a Demon, the Cloud and a Man

Partha Pratim Ghosh reviews Manik Babur Megh, a unique film blending childhood fantasy with melancholic adulthood, exploring themes of loneliness and absurdity in a monochrome Kolkata setting.

Shakeel Badayuni: The Eternal Romantic

Shakeel Badayuni’s forte was the myriad shades and hues of love, but he was adept at tailoring his words to fit any melody or situation, writes Anuradha Warrier

SN Tripathi – His Music Still Lives On

Naagin… No Longer Naagin? The Evolution of India’s Naagin Encapsulated

Abhas versus Kishore — An Existential Reality (Part 1)

Abhas turned Kishore midway. Abhas is a felt intangibility, a suggestion from within – something not material. Kishore is one who is young, energetic, exuberant, visible, impactful.

Eyi Path Jodi Na Shesh Hoy: The Immortal Songs of Uttam-Hemanta

Silhouette pays a tribute to Uttam Kumar by revisiting the iconic Uttam Kumar-Hemanta Mukherjee partnership and some of their evergreen hits.

Madhubala: Ageless Beauty, Timeless Icon

In a short-lived career, Madhubala rose to the status of a superstar on the dint of her talent and magnetic screen presence. SMM Ausaja pays a tribute.

Ae Mere Dil Kahin Aur Chal: Thespian Dilip Kumar Bids Adieu

Dilip Kumar, the legendary actor who redefined acting in Hindi films, passed away today at the age of 98. Sundeep Pahwa recalls his first brushes with some classic Dilip Kumar films.

Dancing with Ray… An Unparalleled Celluloid Experience

Satyajit Ray used classical dances in realistic sequences as well as the allegorical dream sequence. Ratnottama Sengupta studies Dance in the Maestro's films.

‘Soumitra Became Ray’s Voice’ – Interview with Catherine Berge, Director of ‘Gaach’

Extracts from an interview with Catherine Berge, the director of ‘Gaach’ (‘The Tree’ 1998) the documentary on Soumitra Chatterjee, a Merchant Ivory production.

IPR and Indian Cinema: A Scenario of Violation

When you can’t prevent it, what can be the cure? Ratnottama Sengupta wonders about IPR violations in Indian cinema. Read here stories about Indian Films that was violated Intellectual Property Rights.

The People’s Library

How The People's Library came into being. Philip Cheah takes a look at its origins and the origins of Collectors and Collections.

Geeta Dutt – The Artist and Her Art

Sounak Gupta pays tribute to Geeta Dutt, the artist and her art that went way beyond the limits of technique.

Lata Mangeshkar Sings for Madan Mohan

Sangeeta Gupta and Subhas Ghoshal revisit the golden, evergreen melodies Lata Mangeshkar sang for the legendary music director Madan Mohan, her 'Madan Bhaiyya'.

Raah Bani Khud Manzil – The Lingering Effect of Hemant Kumar Part 1

His music spelt class and showcased quality. His deep, haunting voice cast a spell. Vasanti Limaye pays a tribute to Hemant Kumar, singer and composer.

Share what you’ve made